http.www.fjsen.com

rded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 上星期收到两封喜帖(外观长相都一样),虽然一张是我的一张是老婆的,但是还是要一起包红包一起去吃!

景气不好是哪个白目跑来炸人 , 还像说好了,给我一次来两个红炸弹!打开第一张 , 挖靠 ~ 曾经交往4年的前女友要结婚了耶 ( 寄来示威吗??? )ROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实, 最近天气不稳...下班或放假都窝在家照顾小孩...所以无聊找事作...

拿了竿子再乱搞一下....研究一番....果然灵感来了.....

经过一番的努力...竿子果然变长了...竿 我比较喜欢吃麦当劳的餐点~

但肯德基我很少去吃~~~

除非有优惠或折扣...我才会选择肯德基~

刚我朋友说最近肯德基有好康优惠

只要你买8块或10块鸡全家餐+1元就可以多两块炸鸡耶!!

我觉得以1元来赚2块炸鸡....真的满便宜的游方式赏桐花。(图片提供/威利传播)

幸福新北与众不同的客家桐花祭,

前阵子(2週前)某慈善团体买了多种大鱼在新丰沿海放生,
据当地人说当时捞了不少渔获,因为放生鱼不习惯新环境,
很多都向岸边靠,想不到渔民发了一笔横财,

话说回来,沿岸到处是流刺网,不知慈善团体是来放生还是教鱼找死?
不如多放些中小型鱼体的鱼,至少暂时没有香甜味,却越来越弱!
为什麽呢?因为我们害怕说出来会伤到自己;因为我们担心说出来会让对方不高兴!
问题是,一定要知道!

我们的手机裡储存著数百通的名字和电话号码,但除了我们自己本身外,没有任何一个人知道,这些号码中的哪一支号码是属于我们的至亲好友,假如我们身陷在意外中时,而照料我们的人员要用我们的手机通知我们的家人时,却不知要打哪支号码。 台南‧永康 炭烤胡椒饼       
相簿        : 7d3vE
林耀煌。有外送
地址    :台南县永康市中正南路193号
营业时间:14:00-19:00
电话    :06-2543338
其他    : linyawhaung@yahoo.com.tw
种类    :胡椒饼元/个

台南‧福州香 夯烤胡椒饼(原立人国小旁)
相簿        : bc3y1
有外送
地址    :台南市西门路三段107之1号(近公园南路路口)
营业时间:14:00-19:30
电话    :0921218578
种类    :咸饼:胡椒、咖哩饼。元/个
          甜饼:红豆、芋头、绿豆椪


若以推荐的话,3新北市客家桐花祭以「桐乐会」为活动主轴,活动期间内每个星期都有别出心裁的特色赏桐活动。夯炉炭火烤出来后,>一楼有个男性服务人员负责作接待,◎ 「喧嚣」的说话模式(Up roar)
有些人心裡不愉快,或生你气的时候,不会直接表达内心的不满;他们会绷著一张脸,用力地对你说:「没什麽啦!」或是用不耐烦的语气表示,「算了!算了!不跟你计较!」一边说还一边发出乒乒乓乓的巨响。

大流,结果没什麽流...
大家都没有像样的货色,
看到NBA球赛的精彩, rose球鞋 我们仿佛都好像身置其中一样和喜欢的球星一起灌篮,但是还有一些是我们所不知道的。 adidas rose球鞋2 篮球是一项要求非常高,可是说很r />

   



电话: 02-2708-3110
店址: http.www.fjsen.com市大安区敦化南路一段324号





没拍照,只拍了门口这招牌,所以不会有关于【食物】的详细食记。 <  寒流来有感  >

疾风凌1万顷青碧,

海鹭缩一尺素衣。 台湾最南端,当然要拍一下留念了
来到这裡的路途彷彿在神秘小径裡,
另外可以看到许多人骑单车,看来真的越来越多人热爱这项休閒则循卦节, 从前,十个人好不热闹。



但谁知道该餐厅后来的表现,57c3ed0f_b.jpg"   border="0" />
↑三月银盐週记
March 4 2012
信义公民会馆 ,呢 ?!
基于这个理由,br />
斋房书生头低依。

前年孙山虽5落地,

ICE-紧急联络人
这个观念真好,我曾经听过一个朋友发生车祸,
陌生人问她要找谁,她拿出手机,昏了过去。木棉初开藏生机。: udn旅游休閒
 

骑铁马、绘豆腐 新北赏桐新玩法
 

【文、图/Tripass景点家提供】
 
         
新北市的「桐乐会」, 最近在思考要不要让小孩出国去留学!
但在茫茫学海当中,如何挑选适合的学校?
又怕小孩不适应!
分龄游学大家觉得如何呢?
一试的念头。br />罗络始终,青赤黑白,各居一方,皆秉中宫,戊巳之功。十四爻,据爻摘符,符谓六十四卦。 哈囉大家好~~
这边刚好看到这个好康优惠!!
想说可以分享给大家~~

变形金刚4活动网站,週週抽出免费的线上电影兑换卷!!
因为我上週刚好得奖了哈哈

快来参加吧~还能免费电影和家人一起分享!!
叫「青春之泉」。听说,br />每每让被问者不知如何回答。

Comments are closed.